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Friday, 23. January 2004
Liverpool Scenes (9 - 11)
raymon
06:06h
9
W: So you're going at last. M: Seems like it. W: Is that yes or no? M: Unless you've got some other idea. W: I've run out of ideas. Why, do you have any other ideas? M: If I had I suppose I wouldn't be going, would I? W: 1 suppose not. Anyway, I've tried everything. M: You've tried everything? W: We've both tried everything, I sup- pose. I suppose there's no point in hanging on. No point in trying again. No point in going over the same old ground again and again and again. Best to give up, I sup- pose. Cut one's losses. Go, go. Try with somebody else. M: There's nobody else. W: You'll find somebody else. M: So will you. W: I daresay. Not to worry about me. M: We did agree it would be best. W: I know we agreed. I'm saying, go, go. Only. M: Only what? W: It's your decision. M: My decision! W: Just so long as you realize. It's your decision. M: We both agreed… W: We both agreed but it's your deci- sion. it's still your decision. You're the one who's going. M: One of us has to go. W: And you're the one. You’ve made the decision to go. I haven’t. I can’t make decisions for you. Just so long as you realize M: Do you want me to go? W: 1 want you to make your own deci- sion and do your own thing. I'm not going to hold you back. If you want to go. 1 also don't want to be—held responsible —if you do. M: Do you want me to go? W: I want you to do as you think fit! M: Do you want me to go! Do you want me to go!! W: No. Do you want to go? M: No. Oh, what else is there to say? W: We'll find something. 10 (The MAN is talking) W: Just a minute, can you stop? M: What's the matter? W: I'm bored with this conversation. M: You're what? W: The conversation doesn't interest me. M: 0h? W: Can you talk about something else? M: Certainly, if you want me to. I do apologize for boring you. W: Not you, your conversation. You weren't to know, I was trying to look interested. My fault. M: You mean you should have looked bored? W: No, 1 should have told you straight away I wasn't interested. M: Hm. Does this often happen? W: What? M: Finding yourself saddled with a crashing bore? W: You are not a crashing bore. M: Just an ordinary bore. W; I've offended you. M: Me? Why should I be offended. You're the one who should be offended, having to put up with a crashing bore. W: You are not…. M: After all, if one's a crashing bore it's best that one's told. Thank you. For telling me. That I'm a.... W: Stop it. M: Am 1 boring you again? W: Listen. Stop it and listen, be quiet and shut up and listen. It's quite simple. You were talking about something which didn't interest me. I should have let you know at once. Instead I pretended lo be interested. It was my mistake. I apologize. M: Oh, don’t apologize. I should apolo- gize, I’m the bore. W: You're not listening. . . . M: And now I have news for you. May I tell it, at the risk of boring you? W: Go on. M: This conversation is boring me. So shall we change the subject? Or bet- ter still, since we both find each other such crashing bores, perhaps I'll put the television on. W: 1 don't want television, 1 want to talk to you. M: In spite of the fact that I'm.. .. W: Please. Stop it, please, please. M: The sad thing is. I was only telling you that story because 1 thought you might be interested. It was of no in- terest to me. 11 M: How would you like to go to the cinema tonight? W: Tonight? M: If you're not doing anything else. W: No, I'm not doing anything else. M: How about it then? W: Erm. Yes, all right. If you like. M: Not if I like. If you like. Do you want to go? W: You want to go, don't you? M: If you do. W: Mm. All right, then. M: You don't sound terribly enthusias- tic. Is there anything else you want to do? W: No no. M: Or we could stay in. We don't have to go out. W: We may as well. No reason why not. M: The reason why not would be if you didn't want to go. W: I've told you. I'll come if you're going. M: I don't want to drag you out just because you think I want to go. W: Don't you want to go then? M: I want to go if you want to go. Do you want to go to the cinema or not? W: Yes. Erm. Yes. yes. M: You're sure? W: I'm sure. yes. M: You don't sound very sure. W: I'm easy. If you're going I'll come with you. M: Just because I'm going? W: I don't care either way, honestly. I’ll stay in or I'll go out. 1 honestly don't give a damn either way. M: Oh, well, let's stay in, for God's sake. W: Why? M: There's no point going if you don't want to go. W: There is a point. You want to go. M: I don't want to go to the bloody cinema, I just thought you might like to go to the cinema. 1 do wish you'd say what you want now and then. W: So. We're in for another jolly eve- ning at home, are we? ... Comment |
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I adore this scene.
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