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Come and Go A dramaticule

For John Calder

Written in English early in 1965. First published in French by Editions de Minuit, Paris, in 1966. First published in English by Calder and Boyars, London, in 1967. First produced as Kommen und Gehen, translated by Elmar Tophoven, at the Schiller-Theater Werkstatt, Berlin, on 14 January 1966. First performed in English at the Peacock Theatre, Dublin, on 28 February 1968 and subsequently at the Royal Festival Hall, London, on 9 December 1968.

CHARACTERS :

FLO
VI
RU
(Age undeterminable)

Sitting centre side by side stage right to left FLO, VI and RU. Very erect, facing front, hands clasped in laps.
Silence.

VI : When did we three last meet?

RU : Let us not speak.
[Silence.
Exit VI right.
Silence.]

FLO : Ru.

RU : Yes.

FLO : What do you think of Vi?

RU : I see little change. [FLO moves to centre seat, whispers in
RU's ear. Appalled.] Oh! [They look at each other. FLO
puts her finger to her lips,] Does she not realize?

FLO : God grant not.
[Enter VI. FLO and RU turn back front, resume pose. VI
sits right.
Silence.]
Just sit together as we used to, in the playground at Miss
Wade's.
RU : On the log.
[Silence.
Exit FLO left.
Silence.]
Vi.

VI : Yes.

RU: How do you find FLO?

VI : She seems much the same. [RU moves to centre seat,
whispers in VI's ear. Appalled.] Oh! [They look at each
other. RU puts her finger to her lips.] Has she not been
told?

RU : God forbid.
[Enter FLO. RU and VI turn back front, resume pose. FLO
sits left.]
Holding hands . . . that way.

FLO : Dreaming of . . . love.
[Silence.
Exit RU right.
Silence.]

VI : Flo.

FLO : Yes.

VI : How do you think Ru is looking?

FLO : One sees little in this light. [VI moves centre seat,
whispers in FLO's ear. Appalled.] Oh! [They look at
each other. VI puts her finger to her lips.] Does she not
know?

VI : Please God not.
[Enter RU. VI and FLO turn back front, resume pose. RU
sits right.
Silence.]
May we not speak of the old days? [Silence.] Of what
came after? [Silence.] Shall we hold hands in the old
way?

[After a moment they join hands as follows : VI's right
hand with RU's right hand. VI's left hand with FLO's left
hand, FLO's right hand with RU's left hand, VI's arms
being above RU's left arm and FLO's right arm. The three
pairs of clasped hands rest on the three laps.
Silence.]

FLO: I can feel the rings.
[Silence.]

CURTAIN

NOTES

Successive positions
1 FLO VI RU

2 FLO RU
FLO RU

3 VI FLO RU

4 VI RU
VI RU

5 VI RU FLO

6 VI FLO
VI FLO

7 RU VI FLO

Hands

Lighting
Soft, from above only and concentrated on playing area.
Rest of stage as dark as possible.

Costume
Full-length coats, buttoned high, dull violet (RU), dull red (Vi),
dull yellow (Flo). Drab nondescript hats with enough brim to
shade faces. Apart from colour differentiation three figures as
alike as possible. Light shoes with rubber soles. Hands made up
to be as visible as possible. No rings apparent.

Seat
Narrow benchlike seat, without back, just long enough to
accommodate three figures almost touching. As little visible as
possible. It should not be clear what they are sitting on.

Exits
The figures are not seen to go off stage. They should disappear a
few steps from lit area. If dark not sufficient to allow this,
recourse should be had to screens or drapes as little visible
as possible. Exits and entrances slow, without sound of feet.

Ohs
Three very different sounds.

Voices
As low as compatible with audibility. Colourless except for
three 'ohs' and two lines following.

World Theatre Day International Message 2004
Playwright Fathia El Assal

"Lastly, I believe that theatre is the light that illuminates the path of mankind. A light that ensures an organic link with the spectator by creating warmth between us -- be that communication through the written text or through the performance on stage."

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